Using data compiled from over 100 sources, New York-based architecture firm Diller Scofidio + Renfro have created EXIT — a 360-degree video experience that unravels the reality of refugees and global migration, number by number. For Indesign.
Read MoreThe other wall of Quilty’s studio is lined with portraits – roaring faces, struck with the effervescence of emotion, and then occasionally long, twisted noses. One of my favourite studio visits, with Ben Quilty, for Broadsheet.
Read More“The notion that replica is the ‘Robin Hood ‘of design is crazy,” says Ross Gardam. “My products use quality timbers, certified electrical components, and are made in Australia by an ethical workforce.” On the big problem of design forgery and fakes in Australia for VAULT.
Read MoreFoolscap Studio was charged with bringing online city guide Broadsheet Sydney to life as a pop-up restaurant, featuring a spread of the coolest local bars, cafes, and restaurants. I met the strategy and design director in charge of making one of my own digital publishers IRL, for Indesign.
Read MoreBeppi's is the longest-standing restaurant in Sydney with the same family owners, still in the same location. Sharing one of my Grandpa's many Woolloomooloo stories, and the history of one of Sydney's classic restauarants for Broadsheet.
Read MoreDavid Haines’ earlier experimentation around the avant-garde end of art music eventually milked into other sensory research. “The thing about aroma and scent is that it’s quite difficult to figure out how to actually work with it.” On the dark magic of scent and sensory art with David Haines for MUSEUM.
Read MoreI first met Dion about four years ago, unloading a bale of steel sculptures off the back of his oversized, roaring 1984 F100 pick up. I was his gallerist, and we were installing Night Rider – a captivating series of work that just about sold out within the first hour of opening. Visiting the home of my friend Dion Horstmans for Habitus Magazine.
Read MoreBest recognised for his rain-soaked skate loop, Storm Sequence, Gladwell’s signature slow-motion sequences capture his skill and prowess as a skater, and place a steady, hypnotic veil over otherwise harsher moments, movements and elements. An exhibition walk-through with Shaun Gladwell, for Broadsheet.
Read MoreThis somewhat conceptual drop is showing up more and more often on Australian wine lists – even occasionally under its own section – as a curious but welcome alternative to standard varieties. Rationalising my love of 'skin contact' wine for Broadsheet.
Read MoreMany millions journey to the Denon Wing of the Louvre Palace each year to bear witness to La Gioconda, but there has only been one retrospective exhibition of Piero di Cosimo’s painting to date, held at the Schaeffer Galleries in New York in 1938. An homage to a more obscure Florentine, for MUSEUM.
Read MoreSustainability shifts the focus away from the end point and the consumer, and throws light on the bigger picture, the whole story. Rather than purchasing produce with a generic stamp of health, sustainability advocates transparency without cutting corners. I met Martin Boetz of The Cooks Co Op and Feather and Bone's Grant Hilliard to understand their idea of sustainable produce.
Read MoreI first witnessed Sehgal’s work earlier this year, with no real sense of what I was about to encounter. A relatively inexplicit press document had listed Sehgal’s most recent artistic accolades – the Gold Lion at the 2013 Venice Biennale and a nomination for the often-controversial British Turner Prize. On experiencing Sehgal's This is so contemporary for MUSEUM.
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